Cliff Martinez delivers his acceptance speech at the Red Hot Chili Peppers’ induction into the Rock and Roll Hall of Fame in 2012 with some backstage interviews and chat.
See the full ceremony and live concert on Youtube.
El genial compositor Cliff Martinez, habitual colaborador de Steven Soderbergh (autor de Solaris, Traffic, Contagio o la serie The Knick) y Nicolas Winding Refn (autor de Drive, Only God Forgives y The Neon Demon) será galardonado con el premio a toda una carrera en el festival alemán Soundtrack_Cologne en su edición número 13.
Recientemente asignado al nuevo proyecto de Marvel, la nueva secuela de Wolverine, Cliff Martinez recibirá el premio en Colonia (Alemania), el día 28 de agosto, en un congreso, el Soundtrack_Cologne, que versa sobre la composición de música para películas, juegos y series de televisión, que reunirá a un amplio elenco de invitados, y que tendrá lugar del 24 al 28 de agosto.
Soundtrack_Cologne CEO Michael P. Aust announced today that Cliff Martinez will receive the 2016 Lifetime Achievement Award on August 27th, 2016 during the award ceremony of this year’s conference.
Soundtrack_Cologne CEO, Michael Aust and program director Matthias Hornschuh state, “Cliff Martinez’s talent is to contribute a very specific atmospheric frequency to movies through sound. Most recently this worked beautifully on Nicolas Winding Refn’s aesthetic masterpiece “The Neon Demon”.
Martinez’s music adds to the visual level and his sound therefore becomes part of the narrative. His next-level electronic film scoring doesn’t make you miss the orchestra, but makes you experience a new and different quality”.
BAFTA Award winning composer Cliff Martinez, and former drummer of the rock band Red Hot Chili Peppers, most recently received the Cannes Soundtrack Award for his work on “Neon Demon”, directed by Nicolas Winding Refn, which marks the third collaboration between Martinez and Refn. Another director Martinez frequently collaborates with is Steven Soderbergh on over 10 projects including “Traffic” (for which he was nominated for a Grammy Award), “Sex, Lies and Videotapes”, “Kafka”, “The Limey”, “Solaris”, “Contagion” and the Cinemax series “The Knick”. His upcoming projects include “War Dogs” (directed by Todd Phillips), “The Foreigner” (directed by Martin Campbell), and “Wolverine 3” (directed by James Mangold).
Read the full article by RJ Frometa at Vents Magazine
Jóhann Jóhannsson, Joseph Trapanese, Cliff Martinez i Łukasz Targosz gośćmi specjalnymi piątkowego wieczoru w Centrum Kongresowym ICE Kraków
„Partytura dronowa jest może trudna do zdefiniowania, ale ma przed sobą wielką przyszłość pod warunkiem, że zostanie połączona z tradycyjnymi elementami muzyki, takimi jak wyrazista melodia czy klarowna rytmika” – uważa Łukasz Targosz, jeden z bohaterów piątkowego wieczoru w Centrum Kongresowym ICE Kraków. Jego muzyka do serialu HBO „Pakt” i dramatu Patryka Vegi „Pitbull” otworzyła wczoraj uroczystą galę „alterFMF: Drone Sounds”.
BAFTA-winning and Grammy-nominated composer Cliff Martinez discusses his creative process and career spanning 25 years across film, TV and games.
As drummer for Red Hot Chilli Peppers, and later for The Dickies, Martinez’ exploration of new technologies eventually led him to film scoring. After his experimental tape landed in the hands of Steven Soderbergh, he was hired to score Soderbergh’s directorial debut Sex, Lies, and Videotape. Since then, the pair have worked together on ten films including Traffic, Solaris and Contagion.
More recently, Martinez’ credits include Drive, The Lincoln Lawyer, television series The Knick and game Far Cry 4, for which he received a BAFTA.
W Krakowie pojawią się także: Cliff Martinez — legenda Red Hot Chilli Peppers, autor minimalistycznych elektroniczno-symfonicznych aranży do kultowych filmów „Drive”, „Tylko Bóg wybacza” czy zbierającego znakomite recenzje podczas trwającego Festiwalu w Cannes „The Neon Demon” (najnowszy film Nicolasa Windinga Refna). Joseph Trapanese, Cliff Martinez, Dave Porter spotkają się z publicznością podczas panelu „Elektronika w muzyce filmowej: kompozytor czy informatyk?”. Spotkanie poprowadzi Ray Bennet. Zapraszamy 26 maja o godz. 15:30 do Centrum Festiwalowego. Wstęp wolny.
Cannes Film Festival Press Conference with Cliff Martinez Winner of Best Soundtrack for The Neon Demon (starts at 14:30)
Director: Nicolas Winding Refn
Writers: Nicolas Winding Refn, Nicolas Winding Refn
Stars: Elle Fanning as Jesse, Christina Hendricks as Jan, Keanu Reeves as Hank
‘The Neon Demon’ Summary: When aspiring model Jesse (Elle Fanning) moves to Los Angeles, her youth and vitality are devoured by a group of beauty-obsessed women who will take any means necessary to get what she has.
Is it possible for electronic music to be an appropriate soundtrack for the show, which action is set in early XXth century New York? Director Steven Soderbergh and composer Cliff Martinez for the second year already successfully prove that it can. The main themes from the series The Knick, produced by Cinemax could be heard on the 30th of May 2015 during the International TV Series Gala within the 8th Krakow Film Music Festival.
Film Fest Gent & Brussels Philharmonic proudly present a new album combining the best film scores by Cliff Martinez.
Cliff Martinez is a key figure in our time’s film scoring. In the 80’s, he began spending several years drumming with such acts as Captain Beefheart, The Dickies, Lydia Lunch and The Weirdos, and then joining the Red Hot Chili Peppers. His career is exemplary.
His experimental electronic music highlighted many cinematic masterpieces. He has been Steven Soderbergh’s regular composer (‘sex, lies and videotape’; ‘Traffic’; ‘Solaris’; ‘Contagion’) and he has been making a name for himself for a few years now scoring the two last films of visionary Danish director Nicolas Winding Refn, ‘Drive’ and ‘Only God Forgives’.
Cliff Martinez also scored the great ‘Spring Breakers’, ‘Arbitrage’ (Milan Records) and ‘The Company You Keep’ (Milan Records). We now hear about him as he has just scored the first Steven Soderbergh TV series ‘The Knick’ (starring Clive Owen), to be released by Milan Records as well.
This Film Fest Gent album combines the best film scores by Cliff Martinez (‘Solaris’; ‘Only God Forgives’; ‘The Company You Keep’; ‘Contagion’) arranged for orchestra and performed by the Brussels Philharmonic conducted by Dirk Brossé.
Read full article at World Soundtrack Awards – Cliff Martinez’ Film Fest Gent Album
Alamo Drafthouse is proud to announce an advance screening of ONLY GOD FORGIVES in Austin on June 19th, with director Nicolas Winding Refn and composer Cliff Martinez live in person!
Most American audiences were introduced to Refn with his wildly popular thriller DRIVE. With ONLY GOD FORGIVES, Refn reunites with DRIVE star Ryan Gosling and composer Cliff Martinez to deliver one of the most talked about moves at Cannes (the film received simultaneous boos and standing ovations at its premiere).
ONLY GOD FORGIVES Advance Screening at Alamo Drafthouse
Cliff Martinez received BMI’s Richard Kirk Award, which is bestowed on composers who have made significant contributions to the realm of film and television music. As the 2013 recipient of the Richard Kirk Award, Martinez joins a prestigious list that includes David Arnold, Rachel Portman (PRS), Alan Silvestri, David Newman, Thomas Newman, Christopher Young, George S. Clinton, Harry Gregson-Williams, Jerry Goldsmith, Michael Kamen, Mark Mothersbaugh, Danny Elfman, Alan Menken, Mike Post, Lalo Schifrin, John Barry, Rolfe Kent, Charlie Fox and John Williams.
Continue reading this article at BMI
Backstage interview with Cliff Martinez about receiving his Richard Kirk Career Achievement Award at the 2013 BMI Film and TV Awards.
Cliff Martinez began as a drummer for unconventional bands such as The Weirdos, The Dickies, Captain Beefheart & The Red Hot Chili Peppers. The desire to not wear a sock on his genitals at age 40 and an interest in new technologies led Martinez toward the world of film music. His first film was Steven Soderbergh’s first theatrical release (sex, lies, and videotape) and led to a longstanding collaboration with the director on films such as Kafka, The Limey, Traffic, Solaris & 2011’s Contagion.
Perhaps it is because of his time in the punk rock scene that Martinez’s scoring approach is nontraditional. His scores tend towards the sparse, utilizing a modern tonal palette to paint the backdrop for films that are often dark & psychological like Pump Up the Volume, Narc, Wonderland, Wicker Park, & Drive. Join Cliff as he discusses his body of work and techniques for keeping the sock from slipping off.
2012 Hall of Fame inductees the Red Hot Chili Peppers chat backstage, reflecting on sharing the moment with Jack Irons and Cliff Martinez, seeing the Small Faces, the Roots tribute to the Beastie Boys, figuring out how to get better, the youngest inductee ever into the Rock and Roll Hall of Fame and why the Hall of Fame is cool.
